Sunday, February 27, 2011

Newest Releases in 2011




Privyet

A lot of new techno and house releases out in the last few months, each of which I'll be reviewing over the next fortnight. James Blake has of course released his debut LP, following many months of anticipation, and it is an interesting blend of art pop, soul, and dubstep.

There are also new releases from Nicolas Jaar, Steffi, Maceo Plex, Chaim, Deniz Kurtel, Hercules and Love Affair, Robag Wruhme, Isolée, a new Fabric mix courtesy of Derrick Carter, and compilation overviews from German techno labels Ostgut Ton & Bpitch Control.

Monday, January 31, 2011

Rolling in the Deep (Jamie XX Reshuffle/Remix)



The xx made many if not most people's best of 2009 charts, and much of the credit thrown towards the young Brits is thanks to the production talent of Jamie who does remixes under the Jamie xx moniker. Applying the xx's trademark sound to tracks, stripping them down to their bare bones and showcasing their true essence as music with production ironically thrown out the window. If people didn't take notice with Jamie's remixes of Glasser, Jack Penate and Eliza Doolittle, they certainly rose up and embraced his reworking of Florence and the Machine who  reworked You've Got The Love; and to be honest if you were a producer who had a track reworked, and distributed with the Jamie xx sticker on it you'd be understandably pretty pissed off because in my humble opinion he's showing everybody how its done. He takes these tracks and not only makes them his own but makes them as some might suggest should have been made in the first place. 
Come 2011 and he's dropped another bombshell with a reworking of Adele's Rolling in the Deep. Speaking in architectural terms Jamie creates a modernist masterpiece where the song is honest in its materials/samples, practically minimalist, always focused and never detracting from the landscape/environment that is Adele's amazing voice that can at one moment can seem synonymous with sunlight gently piercing a tree's soft, fresh leaves and at the next sends the ground shaking and making you feel horrible for yet again getting on her bad side. 


Make sure to not only check out Rolling in the Deep (Jamie XX Remix) but also his reinterpretation of Gil Scott Heron's album 'I'm New Here' funnily enough entitled 'We're New Here'.

Rolling in the Deep (Jamie xx) ft. Childish Gambino by Childish Gambino




the sound of silence

m n m l s m

...Minimalism describes movements in various forms of art and design, especially visual art and music, where the work is stripped down to its most fundamental features''

The appeal of minimalistic works, and thus minimalism itself, would and does appear at first almost absurd. I would be lying if I said that I have never stood before a piece of artwork and thought of it at this; absurd, dull and in a single word - shit. Whilst now I rarely find myself in this position, it is surely and necessarily impossible to say that all minimalism, whether it be in the form of art, music or architecture, is brilliant. Stripping anything down to its barest minimum is dangerous - a house with only one wall and no roof is not a house, it is a wall. Similarly, one might argue that a single note compromising music is not music, it is a note. I do not deny that these positions are absolutely correct, I merely consider it important to retain a level or a limit to minimalism in order to avoid locking horns with obscurity; in order to avoid minimalism becoming equal to nothingness.

minimalism = something

So minimalism is far from nothing, but it is without a doubt hard to put a finger on, precisely because of the nature of it. A kind of interactive self-inversion is at play - a simple, repeated melodic motif in a piece of music demands attention because of its inconspicuous nature. It grows like a seedling, it develops and matures and that idea is transformed into something greater. It takes on new forms, colours, ideas, and it slowly begins to redefine itself. It evolves beyond itself and it transgresses the boundaries it initially set for itself, and this is where the beauty of minimalism and minimalistic ideas lies. So what then allows for this intangible evolution?

Perhaps we might consider this by example of a simple painting. If we are to imagine a blank canvas, and a black square in the middle of the canvas, a multitude of ideas may spill forth, but initially these are inevitably masked by what appears to be something of extreme, perhaps demeaning, simplicity. But the longer we stare at that square and the longer we consider the relation between the two aspects of the painting, the greater the complexity becomes. As an observer we can begin to consider and examine the relationship between the two colours - white and black - and between the two geometrical shapes. We can invert the relationship , alter and distort its form and if you like, re-create the initial form. In doing this we understanding the initial form to be quite literally a form - it is not a concrete shape but rather an abstract representation of something else, of something, of anything! It represents something - geometries, colour relationships, symmetries, physical spaces, etc. - and thus allows the brain to completely expand of this form and to create its own multitude of relationships with the form, thus defining the form as something which cannot be labeled.

minimalism ≠ something


Having considered it in this light, the relationship between a piece of art, a structure, a melodic idea and the observer/viewer, far from being passive, is reciprocal, abstract and beautiful. The viewer becomes a creator, becomes the artist, and in this way meaning is passed on through representation and reconfiguration. Meaning is passed on, and meaning is created, and it is exactly through this process that we might truly understand minimalism as an art form.

Wednesday, December 8, 2010

Fabric 52



Residents of the legendary, discontinued Scottish club night Optimo Espacio are hot property. What some would describe as a product of the club's strict music policy, the duo of JD Twitch and JG Wilkes boast an amazing taste in music ranging from all corners of the globe, often being touted as one of the best DJ duos around. Its like when someone asks you 'Hey man, what sort of music do you listen to?' and of course the only response that your trendy bike-riding clique would approve of is 'Duh...everything!'. Well in this case its a cliche yet incredibly valid answer.


Their latest release mix Fabric 52 is just as energetic and dance-worthy as their strong following of crazy Scots would have you believe. Truth be told its a tad more techno/dance friendly than previous mixes (that I've had the privilege of hearing off the internetz, sadly I've never got to witness one of their club nights), however its still trademark Optimo when you hear disco/cumbia in Roska and Cumbia Moderna de Soledad intricately woven into house and techno beats. This being indicative of the sort of stuff you'd be likely to hear if you were to catch the Scottish boys at fabric or sub-club, with their only intentions being to make you move. 


Fabric 52 is a great mix for those hot summer nights, from the pre-drinks to your sloshed and messy self well and truly throwing shapes on the dance floor. Initially it seems like your decent Saturday night mix, featuring early house/italo tracks, but to Optimo's credit, they know how to keep it fresh by effortlessly mixing styles that would get the better of most other DJ's out there. If you're looking to get away from your main stream club bangers for a night of exploration, I strongly suggest you give Fabric 52 or in fact any of Optimo's mixes the once over.


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Saturday, November 27, 2010

Llama me por favor!! She's a Tease - Millonaria


Cool kids She's A Tease out of Monterrey, Mexico have released their much aniticpated album throwing soul drenched rock/hip hop with a latin twist thats infectious and will definitely get you moving. Relatively unknown outside of Mexico apart from their anthemic tune "Datos Intimos" and following remix by Disco Ruido, She's a Tease have made an album driven by a range of styles, mixed and mashed quite well, showing wisdom and talent beyond their years.


The hallmark of most, maybe even all great albums is not that every song on the album is good or great, but their ability to relate to each other in forming a narrative or have an underlying concept pumping life into the album beat for beat for its entire duration. Millonaria is the exploration of genres and identity, often straying from their native Spanish, exploring possibilities for disco synths and beats in territories unknown. Watching the Latin-American music scene from afar, I can definitely appreciate this blend of ideas, which from my background I would describe as early forms of an international style. Whether this is indicative of intentionally seeking a larger audience or simply a bi-product of their musical philosophy, after listening to "Pan y Vino" you'll be finding yourself telling everybody you see to get down for weeks on end.


After such a stellar year of music, especially in Mexican/Latin-American music circles, Millonaria is definitely one of the revelations of the year, and its creators are one to look out for in the future.


Datos Intimos by She's a Tease by Happy-Fi




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